Choosing an editor tends to be a stressful and time-consuming task and for good reason. If submitting a manuscript to traditional publishers, you know how important it is to put your best writing forward in this day and age when publishing houses continue to cut back on editing budgets. On the other hand, if you intend to self-publish, choosing an editor is as equally important, if not more so, since you are going it alone. As I’ve noted in previous posts, it’s best to undergo a content as well as a copy edit.
This year, I will be covering types of editing, understanding editing fees, self-editing for content, the value of beta readers, as well as self-editing for language. Feel free to explore Word Bank’s archive of editing posts. In particular, you may find Developing Your Responding Styles of interest.
Choosing an Editor
The best place to start when it comes to choosing an editor would be to ask for personal referrals from those you know and trust, whether it be writer friends, business owners, or co-members of online groups. Also keep in mind the level of experience of any author you seek a referral from. A case of the blind leading the blind could very well end up in choosing an equally blind editor, and that simply won’t do!
Another option is to go through respected editing organizations that offer services from their members such as the Editorial Freelancers Association or New York Book Editors. Companies offering author services can vary greatly in the amount of personal contact that takes place between the editor and author, so beware. Chances are, a professional and personable approach is what you most desire. If you lack sources for personal referrals, another route is to conduct a thorough search online. The twenty-first century is an exciting time to be a freelance editing professional, and the number of choices can seem overwhelming at times.
Establish Criteria
Budget is always a driving factor, but there’s truth in the saying you get what you pay for. Beyond budget, experience comes into play as well. If you desire an editor with ties to the Big 5 publishing houses, it’s going to cost you. Plus, be prepared to get on a long waiting list. Plenty of moderately priced editors are available and will cross the gamut in levels and types of experience. If seeking an editorial report, it may behoove you to seek an editor with demonstrable familiarity with your genre. For copyedits, seek an editor who enhances rather than detracts from your writing style. Work ethic and personality also come into play, as does the quality and frequency of an editor’s blog posts.
Research the Editor’s Qualifications
The best starting point in exploring qualifications is the editor’s website. While it’s possible to find a referral to an editor who does booming business but has yet to set up a website, be extremely cautious of a highly-recommended editor who doesn’t at least have a thoroughly filled out LinkedIn profile set up. How does the editor describe themselves in their personal bio? What professional editing and writing organizations do they belong to? What is their educational background and level of experience? Have they posted client testimonials? Is a project portfolio available?
Preview the Editor’s Published Projects
When choosing an editor, be wary if they do not post a portfolio of published projects. This could be a portfolio of selected projects or a portfolio of every published project they’ve worked on. Personally, I keep a representative portfolio on this website. A full list of projects can be found on Word Bank’s Facebook page. Does the editor notes the type of editing each project required? Keep in mind also if an editor indicates they performed a critique on a manuscript it may not have undergone a copyedit and vice versa. What genres do they seem most well-versed in?
Read the Editor’s Recommendations and Testimonials
A professional editor will have taken the time to add recommendations and testimonials to their LinkedIn profile and website. These will of course be positive, but what does each client specifically point out about the editor’s efforts? Can you tell what makes the editor unique? Don’t hesitate either to ask for the phone numbers or email addresses of a few clients if you would like to pose specific questions. This is a big investment, so choose wisely. It can also be enlightening to ask an editor to tell you about a time they did something that displeased a client and how they remedied the situation.
Make First Contact
Once you’ve decided on a handful of editors to approach, it’s time to make first contact. This usually takes place via a contact form, though some editors will simply list their email address on their website. Another approach is to use scheduling software where you can pick a time for a complimentary phone or video consultation. At the bare minimum, be sure to include your book’s title, word count, and genre, as well as the type of editing sought. It’s also advisable to briefly summarize the plot, mention any significant editing steps already undertaken, as well as offer a few comparable titles already on the market. Consider sending along your author bio as well with a link to your website.
Narrow Your Choices
Allow for a twenty-four hour turnaround time in allowing potential editors to get back to you on a weekday, and look for a Monday response if contact was made on the weekend. If an editor takes longer than that to respond to an inquiry, it’s generally best to simply move on and stick with the ones who come across as being most on top of things. What sort of vibe do you get from the editor’s reply? Do they ask more about your book or simply dive into possible fees? When would they like to see some sample pages and how many?
Obtain a Free or Low-Cost Sample and Quote
Many editors are prepared to do a free sample edit for potential clients, but a good number will also charge a small fee. Even though a standard certification process for editors doesn’t exist in the United States, do try to be mindful that a sample does indeed take time to complete. In what other fields would you ask for a free sample before committing to a service? If a fee is charged, it should come with the option of being applied to your whole manuscript if a contract for services is signed. At this point too, ask for a quote on the price, turnaround time, and potential starting date.
Don’t Be Afraid to Ask Questions
Editors are generally helpful people, so don’t hesitate to ask for clarification on any matters at hand. Don’t be afraid to negotiate fees either within reason. Based on the sample provided, you might feel the need to ask the editor to not add in so many commas or to be aware that you consistently tend to confuse how to use lay and lie. Some freelance editors will have a style sheet in place for you to review beforehand, and others will follow the standards set forth in a given stylebook, such as The Chicago Manual of Style.
Hold a Consultation
Some editors will want to do a consultation before doing a sample edit. In any case, a phone or video call should be offered. If this is not the case, question why that is. Writers and editors as a whole tend to be an introverted lot, but don’t let that stop you from at least saying hello to the person who will be helping you perfect your creation. A good freelance editor should also take the time to tell you some hard truths upfront regarding their role or about the needs of your manuscript.
Sign a Contract
Don’t ever send any form of payment until a contract for services has been agreed to. A good contract will include a fee and payment breakdown, list of deliverables and due dates, as well as a detailed description of the service being offered. The contract should also clarify what style guide and dictionary is being used. Any contract posed should be tentative with the chance for you to weigh in on anything you’d like changed for areas you need to seek clarification on.
Take your time when choosing an editor. Your book will be so much better off for the effort. While the rush to publish is often strong, don’t be that person who is too impatient or cocky to take the proper measures in ensuring your book is the best it can be. Otherwise, readers will take note of all the wrong things.
What factors or advice would you add when it comes to choosing an editor?
Please share responsibly. Jeri Walker, 2018. Image Credit: Typewriter Keyboard Vintage.
Obviously an important decision that requires a good deal of research and effort. This is a really thorough account of all the things to be taken into consideration.
Ken, newer writers can get in such a hurry at times. Hopefully this list will be helpful to those who most need it. Then again the choice is obvious. Pick me!
Great advice for those seeking traditional and self-publication. It’s a good thing I don’t have to look for an editor, since I already have one–YOU!!! 😀
Denise, thanks so much! It was great working with you 🙂
I understand that hiring a professional editor who fits in your budget could be quite challenging but it is good to do a thorough research…another project before we hit a publish! Thanks for the guidance Jeri, much appreciated!
Balroop, life would be great without budgets!
It’s always maddening to read a book and see a bunch of typos. I always wonder if they even tried to get it edited, or if their editor was just incompetent. And this is coming from someone very prone to typos. Great tips for navigating an important part of the publishing process.
Erica, some people say they can overlook typos if the story is engaging enough, but that will never be the case for me. The two sides go hand in hand.
Hi Jeri, this is a the best explanation of the need for and the role of the editor. Editors are a writer’s best friend 😛 Although they can also be the bearer of bad news when a manuscript or a story is not working haha. Working with you has been excellent! The importance of editing a manuscript can’t be emphasized enough. I’ve read some books full of typos and a few are tolerable, but when there’s one on every other page…ugh. Thanks for the post and the links.
Lisa, even editors need an editor. With enough distance, I do a fine job of copyediting my own material, but I struggle with the developmental side of things. If I had the funds right now, I’d hire a book coach to assist me in outlining my memoir. Wrangling my own ideas has always been one of my weak spots. At least I recognize this 🙂
Very useful and enlightening advice, dear Jeri. Checking out the editor´s published projects is one of the most important things. Quality above everything else. Thanks so much for sharing. Love & best wishes 🙂
Aqui, it’s amazing too the gamut of questions or lack thereof that potential clients will ask. In many ways, a large part of an editor’s job is educating clients on how the process will go.
I certainly checked you out before we worked together! This is a wonderful guide–so happy to share it, Jeri.
Rosemary, I’m glad I passed the test! It’s great working with you.
This is great advice, Jeri. I’ve been involved with three books that were traditionally published. So no choice in the editor I worked with. For my last project, I self-published, and therefore chose my own editor. I made the mistake of choosing a close friend (who is also an editor) as my editor, and we both quickly realized that was a mistake. She was too close to the project, and to me. She referred me to a colleague who I used for the remainder of the editing process. but now, as I approach the time where I will need to choose an editor for the next volume of the project, I am unsure which way to turn, as I didn’t feel the camaraderie I was hoping for in the previous partnership. For me, as an author, I really want and need the editor to feel excited about my project and be an integral part of my team.
Doreen, it really can be quite the task to find an editor one can feel the desired level with camaraderie with. Maybe the third time will be the charm for you. I do some editing for my best friend, and it does present challenges at times, but so far so good.
I remember one of the deciding factors for me when I was picking an editor was how they addressed me in their reply. Amazing how many of them called me Lori. Clearly they didn’t have the attention to detail I was looking for.
Loni, oh my! Not even getting your name right would be a huge turn-off. That happens rather often with me as well. Either I’m referred to as Jerri or Geri or sometimes Jerry.
Good tips on finding an editor. I haven’t yet gone through that process, but expect to in the not too distant future. Establishing criteria sounds like a good way to start the process.
Donna, good luck with your search and do let me know if you have any questions.
You’ve provided an excellent outline of the process!
I would expect nothing less from an excellent editor.
Thanks so much, Candy!
Excellent tips, Jeri. Bookmarked of course. It speaks well to your in-depth experience in this area. Thank you.
Christy, thanks for deeming the post bookmark worthy 🙂
All of the above, plus — you can often find editors teaching at writing workshops. I took a couple of classes from Jessica Morell, bought a couple of her books, and trusted her entirely.
Julia, thanks for the reminder about finding editors at writing workshops. I added a couple of my personal list as well as I attended the PNWA conference a couple of times.
This is great advice. Fortunately for me, I already know who my editor will be, if/when I ever get around to finishing my book. (That’s you, by the way, in case it wasn’t obvious.) 😉